Mikhail Ulyanov personal life family children. Family secrets of Mikhail Ulyanov

10.04.2022 -

One of the masters of Soviet and Russian cinema was Mikhail Alexandrovich Ulyanov. With his death, an entire era in cinematography ended. The man played in a large number of films, each of which made his participation unforgettable. Who does not remember his role in "Liberation", "Battle for Moscow" and many others.

This strong man loved one woman all his life - his wife - Allochka, whose love he carried through his whole life. With her name on his lips, Ulyanov passed away.

The film actor managed to embody the image of the great commander Zhukov on the screen so truthfully that many viewers visually imagine Mikhail Ulyanov in his place. The merits to the Fatherland of the artist were so high that military honors were given to him.

Mikhail Ulyanov, a photo in his youth and now which is still being collected by admirers of his talent, had a high growth of 181 centimeters. The actor weighed 93 kilograms.

After the release of the “Battle for Moscow”, “Liberation” and other significant films on the screens of the country, the film actor had numerous fans. They knew for sure everything about the artist, including height, weight, age. The years of life of Mikhail Ulyanov are also quite easy to find out. Our hero lived a long life, he did not live one year before his 80th birthday.

From adolescence, Ulyanov had an addiction. He smoked 2 packs of cigarettes a day. For the sake of his beloved Alla, the man gave up smoking for one day. He began to play sports, believing that this is what will help him live a long time.

Biography 👉 Mikhail Ulyanov

The biography of Mikhail Ulyanov began in 1927. His father, Alexander Ulyanov, led a woodworking team. Mother - Elizaveta Ulyanova was engaged in housekeeping and raised children. Mikhail had a younger sister, Margarita.

The boy spent the first three years of his life in the small village of Bergamak. After that, the family lived in Ekaterininsky, and then in Tara, where the future film actor spent his childhood and youth. Misha studied mediocre. Much more he liked to play in theatrical productions and play sports.

In the first days of the war, the father of our hero went to the front as a volunteer. The man was wounded several times. Received the Order of the Red Star.

In the 10th grade, the future artist received a summons to the army. But he never made it to the front. An order was issued according to which young men born in 1927 were to complete their studies at school.

At the age of 15, Mikhail Ulyanov visited the theater. It was at this time that he decides to become an actor. A talented guy goes to Omsk. He initially studies at the theater studio at the drama theater. In parallel, the young man got a job on the radio. He led programs in the morning. At this time, he lost his voice. After the treatment, a unique timbre was obtained, which was remembered by many fans of Soviet cinema.

After graduating from the Omsk theater studio, Mikhail receives his father's blessing and sets off to conquer Moscow. From the first attempt, the young man could not become a student of theater universities. But still he managed to enter the Shchukin school. After graduation, Ulyanov began working at the Vakhtangov Theater.

At the beginning of the new millennium, a popular film actor began to get sick. His health was getting worse. Soon, doctors diagnosed an oncological disease, from which Mikhail Alexandrovich died. The great artist was buried at the Novodevichy Cemetery with military honors.

Filmography 👉 films starring Mikhail Ulyanov

From that time on, Mikhail Alexandrovich began to actively act in films. His filmography includes more than 70 works in various films. He is remembered for his work in "Volunteers", "Liberation" and many others. The film actor embodied on the screen a large number of very different images, but in particular, according to his fans and critics, he succeeded in the image of the Hero of the Soviet Union, Marshal of Victory Georgy Konstantinovich Zhukov.

Ulyanov was awarded a large number of prizes and awards. By his own admission, made shortly before his death, the biggest reward for him was the recognition of the audience and satisfaction with his personal work.

Personal life 👉 Mikhail Ulyanov

The personal life of Mikhail Ulyanov took place in front of his many fans. In the 50s, the artist fell in love with the girl Alla, who at that time was the wife of another popular film actor Nikolai Kryuchkov. A son, named after her husband, grew up in the family, but the mutual love between Mikhail and Allochka was able to overcome all obstacles. The woman left her former husband, taking her son with her. For the next 50 years, she lived happily with Ulyanov.

The happiness of the spouses was cloudless. They never quarreled. In 2005, they celebrated the golden wedding.

After the death of her beloved husband, Alla did not live long. She fell into a coma and died. The woman was buried next to the grave of her beloved husband.

Family 👉 Mikhail Ulyanov

The family of Mikhail Ulyanov consisted of himself, his beloved wife Allochka, daughter Elena and granddaughter Elizabeth. For a long time, despite the popularity of the popular film actor, they lived in a small one-room apartment. Only at the beginning of the new millennium did they manage to acquire a three-room apartment.

The artist loved his daughter and granddaughter to madness. The granddaughter, named after his mother, needed heart surgery. Mikhail Alexandrovich found the money. After a successful intervention, the girl became healthy. Shortly before his grandfather passed away, he had great-grandchildren, whom they decided to call Nastya and Igor. According to the stories of Ulyanov's daughter, the boy is very similar to his great-grandfather.

Children 👉 Mikhail Ulyanov

The popular film actor became a father only once. He has a daughter, Lenochka, who meant a lot to him.

The artist called his son Nikolai, the son of his wife from his first marriage. As a teenager, he was out of control. Conversations with his stepfather aroused dislike in the guy. At the age of 70, the young man left for permanent residence in Germany. He was treated in a psychiatric hospital. What happened to him now, almost no one knows.

The children of Mikhail Ulyanov are also numerous poems written in honor of his beloved wife and daughter, which were recently published by Elena Ulyanova.

Daughter of 👉 Mikhail Ulyanov - Elena Ulyanova

The daughter of Mikhail Ulyanov, Elena Ulyanova, was born in the late 50s of the last century. Her beloved dad was very happy that his daughter was born to him. The popular actor spent all his free time with Lenochka. The girl in her childhood was engaged in various circles. She loved to draw, sing, participated in theatrical and dramatic productions. At school, the girl was considered one of the best students in the class. She was always held up as an example to other students.

In high school, the girl decided to enter a theater university. But her famous father managed to convince Elena. He had long conversations with her on the topic. Having received a certificate, yesterday's graduate goes to get an education in the art and graphic field. After graduation, Elena works in one of the best publishing houses in modern Russia.

After the death of the famous father, the woman organized the Foundation named after him. All proceeds go to helping those in need.

After the death of her parents, Elena devotes all her attention to her daughter and grandchildren, one of whom is very similar to her great-grandfather.

Wife 👉 Mikhail Ulyanov - Alla Parfanyak

The film actress Alla Parfanyak, famous in her time, brought together all the men of the Soviet Union. In the early 50s, Nikolai Kryuchkov, who was also a famous actor, fell in love with her. He starred in a large number of films. Happiness was short-lived. After the birth of her son Kolya, the woman began dating other men, which Kryuchkov found out more than once. But he believed that this was gossip of ill-wishers who sought to quarrel him with his beloved Alla.

She also met with Mark Bernes, Leonid Utyosov, Alexander Vertinsky, Alexei Arbuzov at that time. Having fallen in love with Mikhail Ulyanov, the woman leaves Kryuchkov. After the divorce, she becomes the wife of Mikhail Alexandrovich.

Since the late 50s, Alla and Mikhail have lived together. They could not spend a single day without each other. Mikhail Ulyanov's wife, Alla Parfanyak, took care of him and his daughter. She left the theater and took up housekeeping. Until the last day, the couple were happy.

After the death of her husband, the woman did not live long. A few days after his death, she had a stroke, after which she fell into a coma and died. She was buried, according to her will, next to her beloved husband.

Wikipedia 👉 Mikhail Ulyanov

Wikipedia Mikhail Ulyanov allows you to find out all the most detailed information about the life and work of the great artist. Here are collected all the most reliable data about his family, parents. The page lists all the films with an indication of the year of release in which Ulyanov took part.

There are pages on social networks that talk about our hero. They are led by admirers of his talent. There is an official blog of the film actor, which contains photographs taken at various points in his life. Here you can also view video clips from films with the participation of Mikhail Alexandrovich.

Mikhail Alexandrovich Ulyanov. Born November 20, 1927 in the village. Bergamak of the Siberian Territory - died on March 26, 2007 in Moscow. Soviet and Russian actor and director of theater and cinema. People's Artist of the USSR (1969).

Mikhail Ulyanov was born on November 20, 1927 in the village of Bergamak, Muromtsevsky District, Tara District, Siberian Territory.

His ancestors settled in Siberia at the time of their activity. Mikhail Alexandrovich's grandfather mined gold at Aldan, where, most likely, he lost his leg, and later worked as a clerk in Bergamak. Ulyanov's paternal grandparents ended their lives in the Vasyugan swamps, where they were exiled by the Bolsheviks.

His father was the director of a small woodworking artel. Mother - Elizaveta Ulyanova - a housewife.

He had a sister, Margarita.

When Mikhail was three years old, the family moved to the village of Ekaterininskoye, located not far from Bergamak. After living there for a short time, the Ulyanovs went to the city of Tara, where at first they lived in a rented wing. In Tara, the boy spent all his childhood and youth.

In 1941, with the beginning of the Great Patriotic War, the father of 13-year-old Misha went to the front. Alexander Andreevich fought in the Siberian infantry divisions in Staraya Russa as a political instructor, was wounded in the leg, and with the end of hostilities he was awarded the Order of the Red Star. The family repeatedly visited him in the village of Cheryomushki, near Omsk.

Mikhail himself in the 10th grade received a summons to the draft board, but at the top they decided that those born in 1927 would not join the army yet.

At school, Ulyanov studied average, distracted by constant participation in literary evenings.

The first role in his life was Father Varlaam in an amateur production of Boris Godunov by Alexander Pushkin.

Until the age of fifteen, Mikhail had no idea about the theater, until Tara was visited by troupes from Tobolsk and Omsk. One day, the young man entered the children's studio at the National Academic Ukrainian Drama Theater named after Zankovetska, which was evacuated to Tara at that time. There, teenagers read poetry and Ulyanov gradually, "slowly, little by little, accidentally became interested in theater, largely because there was nothing else in Tara during the war." The head of the studio, Yevgeny Prosvetov, after some time realized that the boy would be good, and advised him to go to Omsk - to enter the studio at the regional theater, he himself wrote a letter to the head of the Omsk theater, actress Lina Samborskaya.

Having settled in Omsk, where his mother, Elizaveta Mikhailovna, saw him off with just a bag of potatoes, Ulyanov studied for two years in a studio at the Omsk Regional Drama Theater (now the Omsk Academic Drama Theater). Young Ulyanov and his fellow students considered the artistic director and leading actress of the theater Lina Samborskaya to be "an unattainable peak."

Later, Mikhail Aleksandrovich recalled that when he saw her, “stately, majestic, like Catherine the Great,” he realized that he, “such a small, strong tadpole,” would not be accepted into the studio. However, after reading an excerpt from Dead Souls, he received a green light.

This “painful”, as Ulyanov himself called it, stage of his life, he did not go through easily, working on sketches, visiting the rehearsal room of the theater and playing in extras in some performances. Individual classes with Ulyanov were conducted by theater actor Mikhail Ilovaisky, an erudite who “fascinated” the students with his stories about the people he met on his life path. Simultaneously with his studies at the studio, Mikhail tried to complete a full course of study at the Omsk School of Fighter Pilots, but did not have time, as the war ended. In addition, Ulyanov worked as a morning announcer on Omsk Radio for six months, "gradually got used to the microphone."

Then, trying to somehow correct his high sonorous voice, Ulyanov shouted with all his might, so much so that his housemate and part-time colleague in the drama theater Nikolai Kolesnikov drew attention to this. The result of the torment was such a characteristic, “hoarse, broken voice”, which Mikhail Alexandrovich possessed until the end of his life.

During his studies at the Omsk studio, Ulyanov managed to get acquainted with many eminent artists and play many roles in educational productions, including Boris (“Thunderstorm” by Alexander Ostrovsky), Shmagu (his “Guilty Without Guilt”), Kochkarev (“Marriage” by Nikolai Gogol). However, all these two years, Mikhail dreamed of playing Iago in William Shakespeare's Othello - a role that, to Ulyanov's great regret, he was never assigned to.

In August 1946, with the blessing of his father, Ulyanov went to the "white stone" - to enter the theater studio. Before leaving, Alexander Andreevich presented his son with a German pistol obtained at the front. With weapons, Mikhail arrived in Moscow, where the very first patrol detained him because of his suspicious, frightened appearance. The gun was miraculously not found, and Ulyanov went to conquer the capital.

In the city, Mikhail settled in Sokolniki with a friend of his father, an elderly worker in a chocolate factory, in an old two-story house on 3rd Sokolnicheskaya Street (now Gastello Street). There, in the park of the same name, Ulyanov taught poetry for admission.

To the Theatre. Vakhtangov, whom he dreamed about, Ulyanov brought a case: on the street he met a former fellow student at the Omsk studio and only learned from him that the Vakhtangov people have their own school - not the “Wild Studio”, but the School named after them. Schukin. This time, Ulyanov was lucky - the rector of the school, Boris Zakhava, who took the exams, enrolled him in the first year. From the house of a friend of his father, he moved to a hostel on Trifonovskaya Street. Since there were about 40 students on the course, it was decided to divide them into two groups. One went to Elizaveta Alekseeva, the other to Leonid Shikhmatov and Vera Lvova. Ulyanov got into the second. Shikhmatov and Lvova were strict and picky teachers, students were forced to work hard.

For a long time, there was a tradition in the Shchukin School - from the very first year, to accustom students to independent work: they could stage performances themselves, choosing the material to their own taste.

Mikhail Ulyanov, Yuri Katin-Yartsev and Ivan Bobylev staged the play "Two Captains" based on the novel by Veniamin Kaverin, playing key roles in it. The success inspired Ulyanov to make a daring attempt, this time with Yevgeny Simonov, to stage Boris Godunov, in which he played the title role. Zakhava did not appreciate their courage, noting that, fortunately, they had not yet learned to work "according to the craft", and "by art" they had not yet matured to such work. Decades later, Ulyanov wrote: “It was a lesson that I still remember and appreciate very much. In art, nothing comes easily and immediately.

Four years, as Mikhail Aleksandrovich later admitted, ran unnoticed and it was time for graduation performances.

The young actor was entrusted with two roles: Nil (Petty bourgeois by Maxim Gorky) and Makeev (Alien Shadow by Konstantin Simonov). The premieres were attended, as was customary then, by well-known theater directors of the capital and representatives of the Ministry of Culture.

In 1950, the leadership of the Theater. Vakhtangov accepted four graduates of the school into the troupe (although they usually took one, maximum two): Vadim Ruslanov, Nikolai Timofeev, Mikhail Dadyko and Mikhail Ulyanov.

True, before making a final decision, the then artistic director of the theater, Ruben Simonov, asked Ulyanov to rehearse the role of Sergei Kirov in the play “Fortress on the Volga” by Ilya Kremlev, since the performer of this role, Mikhail Derzhavin, began to get sick often.

In June, already the official "Vakhtangov" Ulyanov received a diploma from the hands of the rector Zakhava.

Soon after Ulyanov came to the theater, the management remembered his successful alternative to Derzhavin in the image of Kirov. An authoritative teacher Anna Orochko was entrusted to introduce the actor into the performance and help him with the development of the role. Ulyanov worked, “trying to fulfill all the tasks and all the prompts of Anna Alekseevna,” and on the day of his debut on the Vakhtangov stage, Orochko gave him a photograph of Ruben Simonov and Boris Shchukin with the caption: “If youth knew how, and old age could.”

In the summer of 1951, Derzhavin died suddenly at the age of 48. Ulyanov remained the only performer of the role of Kirov, although he believed that he was completely unsuitable for her.

In the first years of work in the theater, Mikhail Alexandrovich played a lot - Simonov considered him a promising actor.

The theater's repertoire changed with the onset of the "thaw": in 1958, Alexandra Remizova staged "The Idiot" by F. M. Dostoevsky, entrusting Ulyanov with the most difficult role of Parfyon Rogozhin.

Since entering the Theatre. Vakhtangov Ulyanov was literally bombarded with invitations to the cinema. However, the tests were unsuccessful, until in 1953 Cleopatra Alperova called him to try himself as the leader of the Komsomol members of Petrograd Alexei Kolyvanov in the film by Yuri Yegorov (the man who, according to Ulyanov, paved the way for him to the cinema) "They were the first".

Later, Ulyanov recalled that he was depressed by the way he looked on the screen: “I didn’t like everything about myself: figure, face, voice, eyes ... Of course, I didn’t expect to see such an awkward, ugly, short-haired and very trying that to play the creature."

At the end of the decade, Ulyanov worked hard and hard - both in the theater and in the cinema. He again collaborated with Yuri Egorov in the tapes "The house I live in" and "Volunteers", on the set of the latter "had the good fortune" to communicate with Leonid Bykov, about whom he later spoke very warmly. All these films, as well as "Ekaterina Voronina" brought Mikhail Alexandrovich "initial experience, knowledge and skills of acting on the set."

Mikhail Ulyanov in the film "Volunteers"

However, Ulyanov himself considered his first successful role as engineer Dmitry Bakhirev in Vladimir Basov's production drama The Battle on the Road (1961).

In 1959, the director of the Theater. Vakhtangov became "a man with a rare knowledge of the theater, the psychology of actors, a truly intelligent person" Fyodor Bondarenko. Together with the writer Leonid Leonov, he set about staging "Russian Forest" and in the main role, Vikhrov, he saw only Mikhail Ulyanov. Mikhail Alexandrovich did not hope in any way that Bondarenko would let him go to shoot the picture, but after a conversation with the young actor, he said: “Well, I understand you, and, probably, such work in the cinema should not be missed.”

The film was shot and had a serious box office and audience success in the country. It is noteworthy that the picture was successful not only in the USSR, but also abroad: the then head of the GDR, Walter Ulbricht, even invited Ulyanov to shoot in one of their films, but Mikhail Aleksandrovich refused due to financial troubles.

In 1963, Ulyanov met again with Vladimir Basov on the set of a controversial drama. "Silence". The role of the vile scammer Pyotr Bykov has become one of the few negative images in the actor's career. Before leaving with the theater troupe on tour to Austria, where Ulyanov was once again to play Vladimir Lenin, the creative team was summoned by the Minister of Culture Ekaterina Furtseva. When she was informed that the role of Lenin himself would be played by an actor who had recently played a bastard and a "squealer" in "Silence", Furtseva angrily opposed this, but nevertheless let the troupe go.

In the middle of the same year, Mikhail Alexandrovich was given the script by Yuri Nagibin "The Hard Way", they simply said - "about the collective farm." Ulyanov was delighted with the "virtuoso character of Yegor Trubnikov" and successfully passed the audition. Then Evgeny Urbansky was counting on the same role, but Ulyanov was explained: “Yes, Urbansky is suitable, but he can play very heroically, very strongly, and Egorov’s masculinity, grounding will disappear.”

To prepare for the role and create a reliable image, Ulyanov looked at photographs of Kirill Orlovsky, who served as the prototype for Trubnikov. Ulyanov played a complex, angular, tough character, his Trubnikov is cool and implacable, according to the critic, when it comes to the main thing - "to raise the collective farm, feed people, instill in them faith in the possibility of a better life." For the sake of this goal, he may not obey the instructions of his superiors and turn out to be ruthless in relation to the collective farmers.

But when the district authorities decide to remove the obstinate chairman, the collective farmers unexpectedly support him. “When a sea of hands rises for Trubnikov,” writes M. Kvasnetskaya, “tears well up in Yegor's eyes ... His face becomes soft, helpless, unprotected. The character of the hero sparkled with another facet, lit up brightly thanks to the smart, subtle acting decision of Mikhail Ulyanov.

picture "Chairman" filmed for almost a year - from August 1963 to July 1964. It was the role of Yegor Trubnikov that brought Ulyanov all-Union fame, for her performance Ulyanov was awarded the main Lenin Prize in the country, the amount of which then amounted to seven thousand rubles.

Mikhail Ulyanov in the film "Chairman"

Starred in the film by the eminent director Ivan Pyryev "The Brothers Karamazov". Pyryev immediately said that he did not see him in any way, except as Dmitry.

Filming lasted more than a year - on February 7, Pyryev died of a heart attack. Two "brothers" were entrusted to finish the picture - Mikhail Ulyanov and. As Mikhail Aleksandrovich later recalled, Leo Arnshtam, who was appointed the official director of the production, helped the actors who were not experienced in directing. Ulyanov and Lavrov filmed everything the way Ivan Alexandrovich would have liked, "they wanted to develop what Pyryev was striving for." Without Pyryev, three final episodes were filmed - Wet, Trial of Mitya Karamazov and Conversation with the Devil.

The tape met all the expectations of Ulyanov and Lavrov and was even nominated for an Oscar in the nomination "Best Foreign Language Film", which was a huge rarity for the Soviet Union.

Finishing The Brothers Karamazov, Ulyanov received an offer from director Yuri Ozerov to play the marshal in his large-scale military epic "Liberation". At first, Mikhail Alexandrovich flatly refused this role, realizing that “Zhukov is too loved, too known by the people,” but after Ozerov said that the marshal personally approved Ulyanov for this role, he changed his mind.

Georgy Konstantinovich, according to the words of his daughter Margarita, after watching the "Chairman" really stated that "an artist whose last name he does not know, who managed to play the chairman, who was able to pull out all the agriculture, will be able to master the role of Zhukov."

Every day, Ulyanov spent several hours in the make-up chair - that was how much it took to create an aging make-up (at that time, Mikhail Alexandrovich was not even 45 years old). The make-up artist sculpted false cheeks for the actor, trimmed the ends of the hair, but in the end they abandoned all this and left Ulyanov “with his own face”. For a better entry into the role, Mikhail Alexandrovich got acquainted with a lot of materials about the marshal, watched documentaries and photographs.

When the filming started, Zhukov was seriously ill, and Ulyanov could not meet him. Having recovered, Zhukov was ready to meet with the actor, but this time Ulyanov was busy "because of the flow of daily affairs". The filming process of the film epic lasted about six years, but during this time the meeting between the marshal and Ulyanov did not take place - Georgy Konstantinovich died in June 1974.

Mikhail Ulyanov as Marshal Zhukov in the film "Liberation"

In 1968 and 1969, the first two films of the so-called "Liberation" pentalogy were shot - "First Film. Fiery Arc” and “Film II. Breakthrough". At the very end of the decade, Ulyanov was awarded the title of People's Artist of the USSR.

In early 1970, Ulyanov auditioned for the role of Viktor Kharlamov in Andrei Smirnov's drama Belorussky Station, but Alexey Glazyrin was subsequently approved for it.

One of the most famous roles of Ulyanov in the cinema is the "luxurious phantasmagoric" role of General Grigory Lukyanovich Charnota in the film by Alexander Alov and Vladimir Naumov "Run"(1970), based on a play. According to Mikhail Alexandrovich, "the most colorful figure of the white general, who wanders around Paris in his underpants, and then wins a fortune, required a completely new approach and new acting adaptations." The actor believed that he would not have succeeded in this role without such "talented, subtle" directors and such partners as.

Mikhail Ulyanov in the movie "Running"

The tape was then miraculously not put on the shelf: Naumov and Ulyanov were in Czechoslovakia when they called the director and said that the premiere of "Running" was canceled, all posters were removed. They urgently flew to Moscow on a government plane, where, according to Naumov, they were invited to a separate cabin intended for "VIP passengers from the Politburo."

The officials offered them to play dominoes, "American" - the winner demands the fulfillment of any desire from the loser. Ulyanov and Naumov won two games out of three, and two days later the capital was again covered with posters about the upcoming premiere.

In 1974, Ulyanov played Zhukov twice: in the drama by Igor Talankin "Choose Target", about the creation of the atomic bomb by Igor Kurchatov, and in the next military epic by Mikhail Ershov "Blockade". This time, the image of the marshal, “convexly, clearly and definitely” written out by Alexander Chakovsky in “Blockade”, appealed to Ulyanov more than in “Liberation”: “Well, let's say, I think that this is one of the most accurately expressing the character of Zhukov paintings."

In July, he invited Mikhail Aleksandrovich to play Frol Minaev in his film The End of Razin. Ulyanov agreed, but the shooting did not have time to start - in October Shukshin died suddenly.

Having failed to audition for the role of Grigory Rasputin in the historical film Agony by Elem Klimov, Ulyanov, together with the theater troupe, went on a short tour to Yerevan, where the Vakhtangists saw, in excerpts, a new performance by Rachia Kaplanyan "Richard III". It was decided to stage Shakespeare's tragedy in Moscow as well. In October 1975, the roles were distributed, and Kaplanyan, in addition to appointing Ulyanov to the main role, invited him to the play as a director.

It is noteworthy that "Richard III" has already been tried to be staged at the Theater. Vakhtangov in 1965. However, the performance did not take place due to the death of the leading actor and director of the performance, one of Ulyanov's teachers, Mikhail Astangov.

In 1975, the publishing house "Young Guard" published the first book by Ulyanov - "My profession". For playing the role of Druyanov in the play "Day-Day" Mikhail Alexandrovich was presented to the State Prize of the RSFSR.

In 1976 he was elected a member of the Central Audit Commission of the Central Committee of the CPSU.

In the late 70s, the actor fruitfully acted and played in the theater. Only in 1977 did the premieres of three tapes with the participation of Mikhail Alexandrovich take place: “Personal happiness”, “Feedback” and “Call me into the bright distance”. In the latter, Ulyanov fulfilled an old dream: he starred in a film based on the work of Vasily Shukshin.

In July 1980, Ulyanov was shocked by the unexpected and early death of a “colleague in the shop” and made a big speech at his civil memorial service: “There is a big trouble in our acting artel. One of the most peculiar, inimitable, unlike any other masters has fallen. They say there are no irreplaceable people - no, there is! Others will come, but such a voice, such a heart will already leave our acting brotherhood ... ".

In 1981, he played in the films "Facts of the Past Day" and "February Wind".

In 1982, Ulyanov was practically approved for an unexpected comedic role for him as an inspector in Alla Surikova's detective story "Look for a Woman", Semyon Farada was to become his police partner. But Mikhail Alexandrovich fell seriously ill, dropped out of the project and Farad. Their roles were played by Leonid Kuravlyov and Leonid Yarmolnik. Instead of Surikova, Ulyanov starred in Yuli Raizman, in his, as it turned out, penultimate film, Private Life.

The character of Mikhail Alexandrovich is the elderly director of the enterprise Sergey Nikitich Abrikosov, who, due to certain life circumstances, has to retire. Ulyanov showed him as a lonely, conscientious person who lost the meaning of life after being fired from work.

To the surprise of Ulyanov, who assumed that the story of a simple Soviet pensioner could not be of interest to anyone except the inhabitants of the USSR, Raizman's tape was selected for one of the out-of-competition programs of the Venice Film Festival and nominated for an Oscar in the Best Foreign Language Film category. At the Lido, the film won several prizes, including Mikhail Alexandrovich himself, with a special jury prize, "for the best performance of a male role." Later, for this acting work, Ulyanov also received the State Prize of the USSR.

Having once read Sofya Prokofieva's play "Conversation Without a Witness" in the Theater magazine, Ulyanov, remembering how in a recent conversation with him he expressed a desire to put on some kind of performance at the "Vakhtangovites", suggested that he take up this particular play.

In the midst of rehearsals, Mikhalkov unexpectedly announced that he was offered to make a film based on this play: “Two actors, one scenery. The studio has money. I think we can. And most importantly, there is an opportunity to make a film and make a play. And maybe release at the same time. Can you imagine how tempting it is? However, the theater management considered Nikita Sergeyevich's changeability to be unethical and stopped work on the performance.

Filming began in 1983. "Without Witnesses", in which Ulyanov played one of his few negative film roles. Ulyanov's partner was Irina Kupchenko, the whole plot unfolded in a simple Soviet apartment. In the course of the film, the teeth of the hero Mikhail Alexandrovich grew and the shape of the skull changed - this was Mikhalkov's plan, with the help of make-up, the transformation of the main character from a respectable person into a real monster was emphasized. The huge problem was that it is incredibly difficult to find something interesting in a standard apartment that could entice the viewer for an hour and a half.

According to Mikhail Alexandrovich, he never received as many angry letters as he received after the release of the picture. “Why is Ulyanov playing like that? Did he lose his conscience, began to play so cheekily, so insolently? - some viewers wrote, others, without hesitation, called the actor a scoundrel, a scoundrel and a bastard.

In the next two years, Ulyanov once again played the role of Marshal Zhukov in the films "Victory", "Battle for Moscow" and "Counterstrike". In the theater, Ulyanov has long played exclusively the main roles. The next such role in 1984 was Edigei in the play “And the day lasts longer than a century” based on the novel of the same name by Chingiz Aitmatov.

In April 1985, Ulyanov made a big speech at the plenum of the Central Committee of the CPSU, which marked the beginning of total changes in the country.

In 1986, Ulyanov was awarded the title of Hero of Socialist Labor. On the All-Union Radio, the actor recorded solo performances "Quiet Flows the Don" and "Dead Souls". In the same year, Ulyanov was unanimously elected chairman of the Union of Theater Workers of the RSFSR.

A year later, Ulyanov finished his second book - "I work as an actor", published by the Art publishing house.

In September 1987, after the voluntary departure of Yevgeny Simonov, Mikhail Ulyanov was appointed artistic director of the Vakhtangov Theater. The actor entered the position, "having before him the main task - to preserve the Vakhtangov Theater, to prevent its team from falling into small groups."

One of the first premieres of the theater under the direction of Ulyanov was the play "Brest Peace" staged by Robert Sturua based on the play by Mikhail Shatrov, written back in the early 60s, but allowed to be staged only during the years of "perestroika".

The 1990s turned out to be the most unproductive decade in Ulyanov's career. In 1990 he became a member of the Central Audit Commission of the CPSU. In the cinema - Marshal Zhukov in the six-episode film "War in the Western Direction", in the theater - the role of the "father of nations" Joseph Stalin, unexpected for the actor, in the political farce of the guest director Roman Viktyuk "Lessons of the Master". Ulyanov played Stalin "with rudeness, cruelty, severe physiology and tragic nerve."

At the next congress of members of the Union of Theater Workers in 1991, it was decided: Ulyanov remains for a second term. At the same time, Mikhail Alexandrovich met Sergei Solovyov for the second time since 1970 on the set - in his eccentric comedy "House Under the Starry Sky", where he played academician Bashkirtsev.

From 1992 to 1993, the actor starred in several films, played Archpriest Tuberozov in the play "The Cathedral" based on the novel by Nikolai Leskov.

In 1994, Ulyanov went on tour with the troupe to Switzerland. Later he acted in Jerusalem and around Haifa as Pontius Pilate in the film adaptation of Mikhail Bulgakov's The Master and Margarita. For various reasons, the picture was released only after the death of Mikhail Alexandrovich, but the responses from both critics and the audience were unanimous - "played brilliantly."

Around the same time, the theater director Vladimir Mirzoev, who returned to the capital, suggested that Ulyanov put on Harold Pinter's play Homecoming at the Vakhtangov Theater and play the main role, Max the butcher, in it. Ulyanov was impressed by the title of the work (“this is exactly what is needed now - to return to the origins, to one’s roots”), but, having familiarized himself with the play, he abandoned it due to the “brutal vocabulary, plot and disturbingly absurd meanings of this things".

A year later, he played perhaps the only major role in the image of a marshal - in a semi-documentary film by Yuri Ozerov "The Great Commander Georgy Zhukov". Near St. Petersburg, Dmitry Astrakhan’s comedy “Everything will be fine!” was filmed, where Ulyanov played a rare comedic role for himself as a lonely grandfather.

In the theater - Shmaga in A. Ostrovsky's play Guilty Without Guilt, a role that Mikhail Alexandrovich played back at Samborskaya in the 1940s. At first, Ulyanov occasionally replaced the ailing Yuri Volyntsev, but after his death in 1999, he became the main performer of this role. It was in the image of Shmagi that the actor took the stage for the last time.

In 1996, President Boris Yeltsin awarded Mikhail Alexandrovich the Order of Merit for the Fatherland, III degree. Publishing house "Tsentrpoligraf" released the third book of Ulyanov - "Returning to himself."

In 1996, Ulyanov refused a third term as chairman of the Union of Theater Workers and handed over the reins of government. Shortly before one of the main films in his career, The Voroshilov Shooter, Mikhail Ulyanov worked with director Sergei Ursulyak on the set of the tragicomedy Composition for Victory Day.

Play the role of the elderly avenger Ivan Afonin in the drama "Voroshilov Sharpshooter" Ulyanov was forced by both financial and life circumstances: the actor was incredibly afraid for his growing granddaughter, so he played, in fact, himself in the tape. Anna Sinyakina, who played the role of the granddaughter of a pensioner, recalled that on the set, Ulyanov first helped Govorukhin to approve her for this role, after which he constantly helped the young actress get used to the character, prompted and gave advice.

Mikhail Ulyanov in the film "Voroshilov shooter"

Alexander Porokhovshchikov, who played one of the key roles in the film, will forever remember the moment when from the windows of the hotel he heard Mikhail Alexandrovich crying softly on a bench near the building. Porohovshchikov thought that the actor had a heart attack, but in fact Ulyanov simply did not understand how to continue to live: “And he tells me:“ I came up to the cliff, Sasha! Look what they are filming now! How to play?! How to live ?! " And there was so much sincerity in it that everything shrank inside.

This acting work brought Mikhail Ulyanov the Golden Aries and Nika awards, as well as the Kinotavr festival prize for best male role.

Under the auspices of the Algorithm publishing house, Ulyanov's penultimate book, Love Potion, was published.

His last major film work - the role of a thief in law, a cynical criminal named "Father" in an action movie "Antikiller"- Ulyanov was proud. The actor did not hide the fact that when creating the image, he adopted the hoarseness and demeanor of Don Corleone from The Godfather performed by Marlon Brando: “Why not, in fact, exaggerate and instead of a Russian thief in law, not play an American mafia? Or rather, not him, but simply in his game to convey the game of a great actor in a similar role?

Mikhail Ulyanov in the film "Antikiller"

This strong man loved one woman all his life - his wife - Allochka, whose love he carried through his whole life. With her name on his lips, Ulyanov passed away.

Height, weight, age. The years of life of Mikhail Ulyanov

Mikhail Ulyanov, a photo in his youth and now which is still being collected by admirers of his talent, had a high growth of 181 centimeters. The actor weighed 93 kilograms.

Biography of Mikhail Ulyanov

In the first days of the war, the father of our hero went to the front as a volunteer. The man was wounded several times. Received the Order of the Red Star.

Filmography: films starring Mikhail Ulyanov

Personal life of Mikhail Ulyanov

The happiness of the spouses was cloudless. They never quarreled. In 2005, they celebrated the golden wedding.

After the death of her beloved husband, Alla did not live long. She fell into a coma and died. The woman was buried next to the grave of her beloved husband.

Family of Mikhail Ulyanov

Children of Mikhail Ulyanov

The popular film actor became a father only once. He has a daughter, Lenochka, who meant a lot to him.

The children of Mikhail Ulyanov are also numerous poems written in honor of his beloved wife and daughter, which were recently published by Elena Ulyanova.

Daughter of Mikhail Ulyanov - Elena Ulyanova

After the death of the famous father, the woman organized the Foundation named after him. All proceeds go to helping those in need.

After the death of her parents, Elena devotes all her attention to her daughter and grandchildren, one of whom is very similar to her great-grandfather.

Mikhail Ulyanov's wife - Alla Parfanyak

Wikipedia Mikhail Ulyanov

When I come to Tara, I start to get lost and don't know how to behave. There are completely different people here. They are too sincere, kind, generous and sincere, - says Elena Ulyanova.

Last week the actor's daughter Mikhail Ulyanov opened a house-museum in memory of her father in Tara. In an interview with AiF in Omsk, Elena Mikhailovna spoke about the obstacles to the appearance of the memorial complex, Siberian sincerity and our roads.

Suitcase as a gift

Olga Minailo, site: Elena Mikhailovna, the appearance of the Ulyanov house-museum is an event of an all-Russian scale. I know that this was your dream, and you went to it for a long time. Is it really so difficult to open a museum in memory of a famous person in Russia?

Elena Ulyanova: Difficult! actually was my dream. When I was in Tara for the first time and they showed me the house where my father spent his childhood, and by that time he had already passed away, my heart ached: both from pain and from joy. I realized that a museum should be opened here. I was told that it was very expensive, but the thought stuck in my head. Very quickly there were people willing to help. For example, Peter Wiebe, director of the local history museum, just got excited about this idea. I did not expect that the exposition will be made in such a short time. Moreover, they created carefully, accurately, sincerely, competently. She was made out of enthusiasm, love and a special relationship with Mikhail Ulyanov. This is what amazes me the most. Although there are few exhibits, it turned out to be a real museum. The lowest bow Petru Vibe for his spirit. At the opening of the museum, I experienced delight, admiration and sincere gratitude.

House Museum of Mikhail Ulyanov in Tara. Photo: AiF / Nikolay Krivich

- You brought a lot of personal belongings of your father as a gift to the museum. Isn't it a pity to part with family heirlooms?

I am extremely sorry to part with my father's things. When, after a small fire, I was doing repairs in the apartment of my parents, who had lived there since 1974, I tried to leave everything as it was during their lifetime. It was important for me to preserve the atmosphere of this actor's apartment, where a huge number of photographs, posters hang on the walls, and on the shelves there are various gifts, figurines. I even picked up the same wallpapers that were during the life of mom and dad. Sometimes I come to this apartment and sit in my father's cabin. And to be honest, I will never part with some iconic items for me. But for the museum, although with pain in my heart, I will give those things that will be of interest to the Tarchans. After all, the museum must live, and the things of the father will feed it with their energy. Most likely, I will give my father's old suitcase, which appeared in his books.

Actor and director Mikhail Ulyanov. Photo: www.russianlook.com

About old times and broken roads

Mikhail Alexandrovich often said the phrase "I'm always torn to Tara." You first visited here only after the death of your father. Have you managed to understand over the years why your father was always so eager to go to the Siberian hinterland?

For dad, Tara was very dear. In fact, he often said: "I'm always torn to Tara." Here he spent his happiest years, here he got acquainted with the theater, art, creativity. This is his home. In one of his last books there is a rather long story about the childhood that passed in Tara, about the teachers. I understand why dad treasured this place so much. There is a completely different aura here. I feel in my heart that I am also from here and that this is my small homeland too. I have repeatedly repeated and will repeat once again that Siberians are a special caste of people. They are so easy and friendly to all requests that you just do not know how to behave.

Some of Mikhail Ulyanov's personal belongings were donated to the museum by his daughter. Photo: AiF / Nikolay Krivich

The atmosphere of antiquity in Tara, of course, is felt. But if you soberly assess the state of the city, then it would not hurt to modernize it long ago. After all, we are in the 21st century, and everything in Tara remains the same as it was decades ago - old, wooden and falling apart.

Today, in its historicism, Tara is simply a unique city. Few places have such tiny, carved houses, old streets. I think that we should try to restore the Tara fortress, restore the old buildings. It is necessary to leave a piece of history in the city that will attract tourists. In such places you feel the spirit of the city, even if there are new buildings nearby. On my first visit to Tara, I stopped by the Bolsherechensky Museum "Old Siberian", because it is interesting to me. If you create something similar in Tara, the city will develop. Although I see that the local administration is already trying its best. It is clear that the daily life of people in the epicenter of history is impossible. It is necessary to expand the outskirts, this is done in almost every city. Yes, in Tara, historicism prevails over new housing and it is necessary to attract some kind of financial flows. Including tourism.

When you first came to Tara, you rightly noted that the way there is practically a journey to the ends of the world. The roads in those places were called the worst roads in Russia according to the federal "AiF", although it seems that the locals have long been accustomed to the main trouble of the country ...

It is impossible to get used to such roads. Even if you know that they are terrible and prepare for it mentally and physically. The road is awesome! I often travel around Russia, but I only saw such pits and potholes on the way to Tara. The most tragic thing is that the road in this direction is the only one and there is no other way to get to Tara. Only crazy enthusiasts or fanatics like me would dare to go there. Well, at least they would fix it, or something. At least some holes were patched up.

"There are enough good people"

I know that in Moscow you have a fund to help elderly theater and film artists, and that there is nothing else like it in Russia. Why did you take it on?

- The Foundation is engaged in support and assistance to artists, former favorites of the public. He helps everyone who is in trouble. There is something similar in Moscow Masha Mironova and Zhenya Mironov, but their activities are slightly different. In my fund, apart from an assistant and an accountant, there is no one else. I am trying to help those people whom I have known since childhood, who are now getting old and sick. The Foundation is also engaged in publishing activities, erects monuments. But the future, which I want to install in Omsk for the 300th anniversary of the city, will not relate to the activities of the foundation and not a penny will be taken from it. This is my initiative as a daughter.

- Is it difficult now to erect a monument to former idols?

The installation process of the monument is very complicated and insanely expensive. This requires great knowledge and skills. It’s good that at least from the artistic side everything is fine with me, since I am an artist. In all other respects - a hell of a job, honestly!

Especially today, when nobody needs anything. And few people want to part with money for some kind of monuments to some artists. But AiF also helps me in this, we periodically have joint projects. I am engaged in the installation of monuments when the family of a famous person does not have the opportunity to do this, because there is no money. So there was a monument to Starygin, Innocent, a memorial plaque to Zhzhenov, and so on.

Monument to Mikhail Ulyanov in the city of Tara. Photo: AiF / Nikolay Krivich

- It seems to me that only in our country, artists at the end of their lives are forgotten and useless.

We have a good life for pop artists, but for dramatic actors who no longer have the opportunity to act or play somewhere, it’s very bad. They live on one pension. And this is only in our country. We have actors, even great ones, sometimes receive penny salaries and live very hard. My next project is to help the once famous singer Olga Voronets, who is seriously ill. Recently, her leg was amputated, there is no money for treatment, but she needs it. Now I, most likely through the Moscow AiF, will try to raise the necessary funds. I have no money in the fund, they appear only for some specific purpose.

- Is there money for good and necessary deeds?

Yes, but less and less each time. Although there are still good people in Russia. It is very touching when those who responded send 100 rubles, 200 rubles, 3,000 thousand rubles each ... Basically, these are people who are not indifferent and compassionate. And Russia is strong precisely with such people.

Elena Ulyanova, artist, head of the Fund for Assistance to Artists. Mikhail Ulyanov. Daughter of the famous actor Mikhail Ulyanov. Born in Moscow in 1959.