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W. Shakespeare "Romeo and Juliet": description, heroes of the work

Theme: (about what?) About the love of teenagers from warring families.

Idea: (about what?) About the fact that it is difficult to love each other when everyone is against your love.

Super task: (for the sake of what?) For the sake of making people understand that it is not necessary to interfere with two loving hearts.

Initial event: (an event that is outside the work. The first stage in the chain of development of the event.) A quarrel between two families.

Previous events: (the reason for the aggravation of the conflict) Collision between Benvolio and Tybalt.

Start Event: (first public discovery conflict! His first manifestation!) A ball at the Capulet House. Romeo and Juliet love.

Main event: (open clash of conflicting parties. This is a complete and comprehensive manifestation of the main conflict) Death of Tybalt, Juliet's brother.

Culmination: (the highest point, after which everything goes this way and not otherwise) The suicide of Juliet and Romeo.

I will try to explain this using the analysis of Shakespeare's tragedy "Romeo and Juliet" as an example. In it, the author conducts the following experiment: in the world of enmity and hatred (the initial proposed circumstance), he introduces an explosive circumstance: Romeo, the son of Montague, and Juliet, the daughter of Capulet, - the children of two families at war with each other - fell in love with each other (the leading proposed circumstance) . The struggle for the right to love (the through action of the play) begins in the main event (meeting at the ball), reaches its highest tension in the central event (Tybalt's death), and ends in the final event (Juliet's suicide; the leading proposed circumstance of this event - Romeo is dead!) with the death of the heroes . The original proposed circumstance (reflected in the original event of the play: preparation for a fight between the servants of the warring families), collided with the leading proposed circumstance, carved a tense conflict that develops along an ascending path; the author's experiment led to tragedy. And what is the main event of the play, what is its moral outcome? Let's go back to the end of the tragedy. The duke, having learned about the cause of the death of Romeo and Juliet, no longer wants to endure discord between families. This circumstance determines the main event - reconciliation. In the play, this event is an objective fact. Capulet O brother Montague, give me your hand. Here is the widow's part of Juliet: I will not ask for another. Montecchi I'll give you more: Of gold I'll raise a statue to her. Let all people, while Verona stands, That statue again reminds Juliet of fidelity and Love. Capulet Romeo I will erect a statue nearby: After all, both of ours are ruined by discord. As you can see, the text of the tragedy confirms the fact of reconciliation. However, the view of this event by different artists may be different, depending on the super-task that captivates the director. Eloquent proof of this is the performances of Franco Zeffirelli and Anatoly Efros. It was very important for the Italian director that the common tragedy, the loss of children, had a sobering effect on the feuding Montagues and Capuleti. Their true rebirth began, repentance pushed former enemies to true reconciliation. Such an interpretation of the main event was permeated with the director's pain for the great price paid for the revival to goodness and light. But at the same time, Zeffirelli strengthened the hope that, having gone through the cruel, bloody historical cataclysms of enmity and war, humanity should become wiser. Looking back at their tragic past, the peoples of the world are obliged to extend their hands to each other - only in this the Italian director saw the salvation of mankind. Anatoly Efros looked at the main event in a completely different way. In his performance, reconciliation was imaginary, false. The Montagues and the Capulets are forced to extend their hands to each other only because the Duke of Verona is involved in this event; fearing to disobey his order, the heads of the warring families go for a fictitious reconciliation. Thus, we understand that their enmity is even more aggravated, it only takes on hidden forms. This is scary. This means that nothing, even innocent victims, the horror of the tragedy, can shock people. This means that this hatred has acquired such proportions that it will stop at nothing. Love, only it gives life to mankind; and if the hatred that killed Love did not even falter, but grew, only covering its monstrous face with a false smile, then the threat to the life of humanity acquired catastrophically real outlines. As we can see, in such interpretations of the main event, different understandings of the fate of the original proposed circumstance by the directors, various super-tasks of the tragedy, are also manifested. In the name of one deeply suffered idea, a bright hope, the play by Franco Zeffirelli was born, and for the sake of another, tougher, more disturbing thought that attacked the audience, Anatoly Efros staged the play. Each artist kept his finger on the pulse of his time and heard it in different ways. This determined the individual, unique, subjective view of the play, of its events. I want to give examples of the analysis of two more plays, different in genre, in style, written in different centuries, in order to demonstrate the universality of the method.

One of the greatest playwrights of the 20th century can rightfully be considered Bertolt Brecht, who created the theory of "epic theater". According to her, the performance and drama should first of all affect the mind of the audience. The action should be manifested in the activity of the character, and not in self-deepening. That is why he had a negative attitude and opposed the realistic, psychological drama.

Brecht's dramaturgy is a decisive turn, a revolution in the centuries-old, traditional development of drama. His new dramaturgy finally breaks with the Aristotelian principle of "imitation by action of action." He puts forward the principle of a "non-Aristotelian" type of conflict, which does not necessarily take place on the stage (with Brecht often in the hall) and not in the form of action, but of narration. Mimesis in Brecht replaces diegesis: the character states the facts, instead of presenting them in a dramatic form. In addition, the denouement of the play is known in advance, numerous inserts destroy the integrity of the action and prevent any increase in dramatic tension. The epic theater emphasizes the need for a certain point of view on the plot and on its stage embodiment. The scene does not hide its materiality, but emphasizes; not "transformed", but "uncovered". The actor must not completely identify with his character, he must alienate him from himself, i.e. not to reincarnate, but to demonstrate the image.

In all dialogues, there must certainly be a polemical beginning, hence the plays he called “trial”. During the performance, the audience was constantly reminded that they were in the theater and that everything that happened happened on the stage, so that the viewer could make rational judgments about the material presented. He called this technique "Verfremdungseffekt" - "alienation effect". This principle appears in plays in the form of zongs (from the English song - a song), plot and extended remarks, direct appeals to the viewer, interludes in the drama, and in the performance - with the help of posters and inscriptions. Its main goal is to evoke a critical and analytical attitude towards what is depicted on stage in the audience. Therefore, he saw in the theater not a unifying, but a separating force. Brecht shows in the theater a means of awareness that does not unite, but deeply divides the audience, deepens its contradictions. He believed that drama could instruct and change society, so it should be political. In his opinion, effective theater should lead the audience to the essence of problem solving and action.

The use of the bare stage, exposed lighting and theatrical equipment, short scenes, the juxtaposition of "reality" with theatrical performance—methods fairly common today—are largely the result of Brecht's influence. However, some critics argue that even his most famous plays, Mother Courage and Her Children (1941) and The Threepenny Opera (192l), do not fully correspond to his theories. Perhaps Brecht himself felt this when he used the term "dialectical" theater, trying to smooth out the contradiction between "show" and "identify". The discussion on the topic of the significance of Brecht's dramaturgy in the history and theory of the theater, first of all, should resolve the question: are Brecht's reforms an anti-theatrical revolution or a specific case of theatrical performance?

The work of the great playwright William Shakespeare can be divided into several periods. The first of them is characterized by early tragedies, the texts of which are permeated with faith in justice and hope for happiness. Next comes the transitional phase. And, finally, the period of late gloomy tragedies.

If we analyze the play "Romeo and Juliet", then the poet's negative moods here can be observed quite clearly. Indeed, in the play, life, as they say, is in full swing, in the foreground are kind people conquering the forces of evil. However, the inhumanity shown by the playwright is not so unarmed. She darkens life, threatens her and takes revenge.

The appearance of the play "Romeo and Juliet" was a significant event in the history of not only English, but also world literature. It was the beginning of a new, so-called Shakespearean stage.

The analysis of the dramatic work "Romeo and Juliet" suggests that social problems became the basis of the tragedy in it. Showing these relationships in the play reveals its historical significance.

History of creation and time

The play "Romeo and Juliet" is one of those works of the author that were written by him at the very early period of your creativity. Shakespeare wrote his famous play between 1591 and 1595.

Consider the plot of Romeo and Juliet. The analysis of the work very briefly describes the story proposed by the playwright. She tells us about the imaginary death of the main character, the news of which led to the suicide of her beloved young man. This was the reason that the girl also took her own life.

A similar plot was first described long before the creation of this play. He met in the poem "Metamorphoses", created by the ancient Roman writer Ovid. The work was written in the 1st century BC. It tells about two lovers - Pyramus and Fiobe, who lived in Babylon. The parents of the young were against their meetings, and then they agreed on a nightly date. Fiobe came first and saw a lion there, hunting bulls, with blood on its muzzle. The girl decided that a formidable predator had torn to pieces the young man she loved, and ran away, dropping her handkerchief along the way. The lion tore this handkerchief and smeared it with blood. After that, a young man came and, deciding that Fioba was dead, he himself stabbed himself with a sword. The girl returned to the appointed place, saw the dying Pyramus, and immediately threw herself on the sword.

This story was used by Shakespeare in his comedy A Dream in midsummer night". Only there the story of two lovers was presented to the audience by an amateur theater.

This story wandered from work to work. So, he was described in one of the Italian short stories, and then moved on to an English poem created in 1562 by Arthur Brooke. It was only a little later that Shakespeare became interested in this story. He slightly modified English version ancient roman poem. Its duration was reduced from nine months to five days. At the same time, the time of the year during which the events took place changed. If initially it was winter, then in Shakespeare it turned into summer. Also, a number of scenes were added by the great playwright. But the most basic difference from all previous versions lies in the deeper content of the plot. This allowed the play to take its rightful place in the history of world literature.

Plot

So, what is the story told in the play "Romeo and Juliet"? Analysis of the work can briefly acquaint us with this plot. The whole period, during which the tragic events unfold, covers, as already mentioned, only five days.

The beginning of the first act was marked by a brawl of servants belonging to two different families, which are in a state of enmity with each other. The names of the hosts are Montagues and Capulets. Further, representatives of these two houses join the brawl of servants. Do not stand aside and the heads of families. Tired of the strife that lasted for more than one day, the townspeople could hardly separate the fighters. The prince of Verona himself arrives on the scene with a call to stop the clash, threatening the violators with death.

The son of Montague, Romeo, also comes to the square. He does not participate in these strife. His thoughts are entirely occupied by the beautiful girl Rosalina.

The action continues in the Capuleti house. Count Paris comes to the head of this family. He is a relative of the Prince of Verona. The count asks for the hand of Juliet, who is the only daughter of the owners. The girl is not yet fourteen years old, but she is obedient to the will of her parents.

Plot development

A carnival ball is held in the Capulet house, which, wearing masks, enters the young men from the house of Benvolio and Montecchi. They are Mercutio and Romeo. Even on the threshold of the house, Romeo was seized by a strange anxiety. He told a friend about her.

During the ball, Juliet made eye contact with Romeo. This struck both like lightning, giving rise to love in their hearts.

From the nurse, Romeo learned that the girl was the daughter of the owners. Juliet also found out that the young man was the son of the sworn enemy of their house.

Romeo carefully climbed over the wall and hid in the greenery of the Capulet garden. Soon Juliet came out onto the balcony. The lovers talked to each other and swore an oath of love, deciding to unite destinies. The feeling so absorbed them that all the actions of young people were committed with extraordinary firmness.

They told their story to Romeo's confessor, the monk Lorenzo, and also to Juliet's confidante and nurse. The clergyman agrees to conduct a secret wedding ceremony for the young, hoping that this union will finally force the two warring families, the Montagues and the Capulets, to reconcile.

Unexpected turn of events

Further, the plot tells us about a skirmish that happened on the street between Juliet's cousin Tybalt and Mercutio. Between them there was an exchange of caustic barbs, which was interrupted by the appearance of Romeo. The latter, having married Juliet, believes that Tybalt is his relative, and is trying with all his might to avoid a quarrel. And this despite the fact that cousin Juliet insults Romeo. Mercutio comes to his friend's defense. He attacks Tybalt with his fists. Romeo steps between them. However, Tybalt manages to deliver a fatal blow to Mercutio.

Romeo loses his best friend who died defending his honor. This infuriates the young man. He kills Tybalt, who appeared on the square, for which he is threatened with execution.

Terrible news reached Juliet. She mourns the death of her brother, but at the same time justifies her lover.

The monk Lorenzo convinces Romeo that he should hide until forgiveness is granted. Before leaving, he meets with Juliet, but together they manage to spend only a few hours. The coming dawn, together with the trills of the lark, informed the lovers that they were about to part.

Meanwhile, Juliet's parents, who do not know anything about their daughter's wedding, are again talking about the wedding. Hurries events and Count Paris. The wedding is scheduled for the very next day, and all the daughter's prayers to her parents to wait a little remain unanswered.

Juliet is desperate. She goes to Lorenzo. The monk invites her to go to the trick and pretend to be the obedient will of her father. In the evening, she needs to take a miraculous drug that will plunge her into a state similar to death. Such a dream should last forty-two hours. During this time, Juliet will already be taken to the family crypt, and Lorenzo will tell Romeo about everything. Young people will be able to run away somewhere until better times.

Before the decisive step, Juliet was seized with fear. However, she drank the whole vial.

tragic ending

In the morning, the parents discovered that their daughter was dead. The whole family plunged into inconsolable mourning. Juliet was buried in the family vault.

At this time, Romeo is hiding in Mantua and waiting for news from the monk. However, it was not the messenger Lorenzo who came to him, but the servant Balthasar. He brought the terrible news of the death of his beloved. The monk, Lorenzo's messenger, never met Romeo. A young man buys poison from a local pharmacy and travels to Verona.

The last scene takes place in the tomb. Romeo curses the evil forces that took Juliet from him, kisses her in last time and drink poison.
Monk Lorenzo was late literally for one moment. He was no longer able to revive the young man. At this time, Juliet awakens. She immediately asks him about Romeo. Having learned terrible truth She plunged the dagger into her chest.

At the end of the story, the Montagues and the Capulets forgot about the enmity. They stretched out their hands to each other and together began to mourn the dead children. They decided to put golden statues on their graves.

Love Theme

So, we briefly learned the plot of the poem "Romeo and Juliet". An analysis of the work tells us that its author, describing the tragedy of a person, turned first of all to the greatest human feeling. The poem is literally imbued with the poetry of love. Moreover, the high feeling gets more and more powerful sounding as the action approaches the finale.

We continue our acquaintance with the play "Romeo and Juliet". Analysis of the work allows us to understand that it is nothing but the pathos of love. Indeed, from the monologues of the main characters it is clear that young people not only admire each other. In their speeches, love is recognized as a divine feeling, receiving a proud, solemn and ecstatic recognition.

moral issues

What else did Shakespeare want to tell the world? "Romeo and Juliet" (an analysis of the work directly points to this) raises many moral problems. They are not limited to the image of love that inspires and unites two young people. This feeling develops and further strengthens against the background of other options that show us the relationship between a woman and a man. And Shakespeare told us about them with different accents of artistic expressiveness. Romeo and Juliet (an analysis of the work makes it clear to us) have a high feeling, the grandeur and purity of which are contrasted by other forms of relations.

The viewer sees the most primitive version at the beginning of the play. These are very rude expressions of the servants that women were created only to be pinned against the wall.

Further brief analysis tragedy "Romeo and Juliet" tells us that there are other carriers of this moral concept. The author assigns such a role to the nurse, who expresses similar thoughts, but only in a more mild form. She persuades her pupil to forget Romeo and marry Paris. Such a clash of morals leads to an open conflict between the girl and the nurse.

What else does the analysis of Romeo and Juliet tell us? Shakespeare does not accept another version of the relationship of a man to a woman. It is described in the request of Paris to the old Capulet. For that time, this way of creating a family was quite common. Paris asks for the hand of Juliet, without even inquiring about her feelings. This is clearly shown to us by the analysis of Romeo and Juliet. Shakespeare in the second scene of the first act, through the mouth of the old Capulet, says that before asking for the hand of a girl, she must immediately be courted. However, further Juliet's father himself guarantees Paris the favor of his daughter, being confident in her submission to her parents.

We continue to study the poem "Romeo and Juliet". An analysis of the work tells us that the count never told the girl about his love. The behavior of Paris changes somewhat after the imaginary death of the bride, although even at the same time, a chill of the conventions that took place in those days slips in his actions and statements.

The comedy of the play

What else can a brief analysis of Romeo and Juliet tell us? Shakespeare combines in his work the romantic side of love with the quirks of passion and some oddities. The author points out that a high feeling does not allow a person to continue to live in his usual rhythm, making him different from what he was before.

Analysis of "Romeo and Juliet" (8th grade) clearly indicates that in some scenes main character just funny. The author shows the reader the intolerable and passionate feeling of a girl who first knew love. At the same time, Juliet in comic scenes is faced with the slyness of the nurse. inexperienced girl demands from the maid a story about the actions of Romeo. However, she, referring to fatigue or bone pain, constantly puts off the conversation.

Where else is there comedy in Romeo and Juliet? An analysis of the work allows us to draw unambiguous conclusions that it has more humor and cheerfulness than other tragedies of Shakespeare. The author constantly discharges the growing tragedy. At the same time, the love story ceases to be high romance. He seems to land and move into the plane of ordinary human relations, but at the same time he is not at all belittled.

Shakespeare expresses an unprecedented breadth of his view of love in his work Romeo and Juliet. Analysis of the play confirms that almost all characters in one way or another they express their attitude to the feeling that arose between Romeo and Juliet. At the same time, the assessment of the love of the young is given by the characters depending on their own positions. But, nevertheless, the artist himself proceeds from the fact that this high feeling has an all-penetrating power and is universal. At the same time, it is purely individual, unique and unique.

The power to change a person

An analysis of Shakespeare's tragedy "Romeo and Juliet" also proves the fact that love is a demanding feeling that makes a person become a fighter. There is no cloudless idyll in the play. The feeling that has arisen between young people is subjected to a severe test. However, neither the boy nor the girl, even for a second, thinks about whether they should prefer love or choose hatred, which traditionally determines the relationship between the Montecchi and Capulet families. Romeo and Juliet seem to merge in a single impulse.

However, even a brief analysis of "Romeo and Juliet" convincingly proves the fact that, despite the high feeling, the individuality of young people did not dissolve in it. Juliet is not inferior to Romeo in decisiveness. However, Shakespeare endowed his heroine with greater spontaneity. Juliet is still a child. She was two weeks away from her fourteenth birthday. Shakespeare inimitably recreated this youthful image.

Juliet has not yet learned to hide her feelings. She sincerely loves, grieves and admires. She is not familiar with irony and sincerely does not understand why the Montagues should be hated. This girl expresses her protest.

All the immaturity of Juliet's feelings and behavior disappears with the advent of love. She grows up and begins to understand relationships between people much better than her parents. Being the daughter of Capulet, she was able to rise above class prejudices. Juliet chose to die, but she did not marry the man she did not love. Such were her intentions, and so she began to act.

Analysis of the tragedy "Romeo and Juliet" clearly indicates that with the advent of love, the girl's actions become more confident. She was the first to start talking about the wedding and demanded that Romeo not put things off indefinitely, and the very next day he became her husband.

Tragedy of love

Studying the analysis of the work (grade 8) based on the play "Romeo and Juliet", one can be convinced that the high feeling of young people is surrounded by enmity.

The girl dies, practically not knowing the happiness of the love that she created and dreamed about. There is no such person who could replace Romeo for her. Love cannot be repeated, and without it, life will simply lose its meaning.

However, after a brief analysis of the work "Romeo and Juliet", it is safe to say that the cause of the girl's suicide was not only the death of her lover. Waking up from the spell of the drug given to her by the monk, she realized that the young man laid hands on himself only because he was sure of her death. She just needed to share his fate. In this Juliet saw her duty. This was her last wish.

Yes, the characters in the play took their own lives. However, in doing so, they delivered a harsh verdict on existing inhumanity.

That light of love, which was lit by Romeo and Juliet, has not lost its strength and warmth in our time. There is something close and dear to us in the constancy and energy of their characters, as well as in the courage of their actions. We warmly welcome the nobility of their souls, which found expression in their rebellious behavior and striving to assert their own freedom. And this topic, without any doubt, will not lose its relevance and will excite people forever.

Who was the rebellion against?

Some literary scholars believe that the play shows us the clash of fathers and children. At the same time, the conflict flares up between inert parents and progressively minded young people. However, this is not the case at all. Shakespeare did not accidentally create the image of the young Tybalt. This young man is so blinded by malice that he has no other goal than to exterminate the Montagues. At the same time, the old Capulet, unable to change anything, recognizes that it is time to end the feud. In contrast to the image of Tibelti, he longs for peace, not a bloody war.

The love of Romeo and Juliet is opposed to misanthropy. Young people not only protested against old attitudes and attitudes. They showed everyone an example that it is possible to live in a completely different way. People should not be divided by enmity. They must be united by love. This lofty feeling in Shakespeare's play is opposed to the petty-bourgeois inertness that dominates the Capulet family. Such great love is born from faith in the greatness of man, from admiration for his beauty, from the desire to share the joys of life with him. And this feeling is deeply intimate. It connects only a boy and a girl. However, their first irresistible attraction to each other becomes the last due to the fact that the world not yet ripe for love.

Nevertheless, the play does not leave us hope that everything will change for the better. In Shakespeare's tragedy, there is still no feeling that freedom has been destroyed, and evil has conquered all aspects of life. The heroes do not experience a feeling of undivided loneliness, which subsequently overcomes Othello, Lear and Coriolanus. Romeo and Juliet are surrounded by true friends, the noble monk Lorenzo, the servant Balthazar, the nurse. Even such a hero as the Duke, despite the fact that he expelled Romeo, nevertheless pursued a policy directed against the existence and further incitement of civil strife. In this tragedy, power does not oppose the protagonist and is not a force hostile to him.

"Romeo and Juliet" reveals to us two diametrically opposed worlds - the world of love, friendship, understanding and the universe of malice, enmity, confrontation. At the very beginning, Verona appears before us as a city mired in strife and pitch darkness, but when the children of warring families fall in love with each other, their boundless feeling illuminates everything, like a ray of hope in a dark kingdom.

The enmity between the Capulets and the Montagues is ridiculous and groundless, because no one can already say how it began, but the blood confrontation continues furiously. Despite some archaism of indiscriminate hatred for each other, there are enough adherents of malice, so one of them appears before us Tybalt - Juliet's cousin. The unjustified thirst for revenge destroys him, surprisingly, but he hates the Montagues, because he hates, that's such an absurdity. But, fortunately, there are other young people in the ode to love, who, apparently, are already tired of endless disagreements. So Romeo and Juliet do not succumb to general disunity, their love destroys all barriers of misunderstanding and enmity. It has long been known that like attracts like, so young lovers are surrounded amazing people- holistic personalities, spiritualized and filled with feelings of respect and optimism. It is undeniable that Romeo and Juliet is a story of all-consuming pure love, and the main characters embody the ideal of this feeling when their friends Mercutio and Benvolio personify the fidelity of friendship. These heroes know the value of honor and camaraderie. Especially stands out among the others Benvolio, who is trying in every possible way to stop the enmity, to reason with others. Romeo also singles him out, recognizing how true friend who can be trusted.

The image of the monk Lorenzo, who becomes a friend and support for young lovers, is also unnatural for an antagonistic environment. This is a man of amazing nature - kind and understanding, a real philanthropist. He really tries to help his beloved, but by chance, Romeo and Juliet die. Their tragic death carries the beginning of a new period.

As you can see, such destructive feelings as hatred, enmity and revenge are only destructive in nature. When friendship and love create a new round of history, despite all the drama described in the immortal work of W. Shakespeare.

Love triumphs in the play. Romeo at first only imagines that he loves Rosaline. Her absence from the stage emphasizes the illusion of her existence and infatuation with Romeo. He is sad and seeks solitude. The meeting with Juliet transforms the young man. Now he lives for her: "My heaven is where Juliet is." Not languid sadness, but a living passion inspires Romeo: “All day long, some kind of spirit takes me up above the earth in joyful dreams.”

Love has transformed, cleansed the inner world of a person, influenced his relationship with people. The hostile attitude towards the Capulets, the blind hatred that cannot be explained by the arguments of reason, was replaced by courageous restraint. When the pugnacious Tybalt insulted him, Romeo now patiently endured everything. Love makes him reasonable and wise. When it becomes clear that the vengeful Tybalt cannot be stopped by words, when the enraged Tybalt kills the good-natured Mercutio, Romeo takes up arms and punishes Tybalt for the murder.

Romeo and Juliet's feelings are severely tested. They prefer love to family hatred, merging in a single impulse, but individuality is preserved in each of them. Juliet is still just a child. She just turns 14. Age is conveyed in the play: the world amazes Juliet with its contrasts, she is full of vague expectations.

Juliet still does not know how to hide her feelings. She loves openly, admires and grieves in front of everyone. She doesn't want to hate the Montagues just for being Montagues and protests.

Having fallen in love with Romeo, Juliet begins to understand feelings better than her parents. They want to pass her off as Paris, who conforms to the code of decency in society. Juliet prefers to die, but not to marry the unloved. She is the first to start a conversation with Romeo about marriage.

Juliet's beauty, strength of character, proud consciousness of rightness are expressed in her attitude towards Romeo. She confesses her love for Romeo with dignity.

But love in the play is surrounded by enmity. Juliet dies, barely experiencing the happiness of love. No one can replace her poisoned Romeo. Love does not repeat itself, and without it, life loses its meaning for Juliet. She knew that Romeo died, convinced of her death, and decided to share his fate. She saw it as her duty.

Having taken their lives, the heroes pronounced a harsh sentence of inhumanity. In their rebellion and desire to assert their freedom, the properties of noble souls are expressed, which will forever excite people.

Love is opposed to misanthropy. Romeo and Juliet not only rebelled against old attitudes and attitudes, they set an example for a new life. They are not separated by enmity, they are united by love. This love is born from admiration for beauty, from faith in the greatness of man and the desire to share the joy of life with him. The heroes do not have a feeling of aching loneliness, they are surrounded by devoted friends: Benvolio, Mercutio, ready to give their lives for Romeo; noble Lorenzo, nurse, Balthasar.

"Romeo and Juliet" is a tragedy where power does not oppose the hero, is not a force hostile to him.

More than one century has passed since the creation of Shakespeare's tragedy "Romeo and Juliet", but until that time the audience is worried, following the fate of lovers from Verona, and the actors who got a role in the tragedy perceive this as the brightest event in their lives. creative life. Romeo and Juliet (1595) belongs to the first stage in the work of the outstanding playwright, when the writer creates mainly lyrical comedies. In two tragedies (the second, besides the one named, “Julius Caesar”), despite a large number of cloudy scenes, yet the light foundation wins, honor and justice celebrate the victory.

The main characters of "Romeo and Juliet" are young, pure in heart, they live with a feeling of great joy of being, and then - a boundless happy feeling. The author's optimism during this period of his work turns out to be stronger than misanthropy and greed. The main theme of the tragedy is the debunking of the world of feudal relations, hostile to man, such that they distort her natural feelings. The enmity of the noble homelands of the Montagues and the Capulets, from which all Verona suffers, as it infuriates the inhabitants of the city, makes common life unbearable. In addition, this enmity is a fiction of the defense of kindred honor, which both camps seem to defend. This enmity is a relic of the old, nevertheless it still has force and is capable of hindering the establishment of a new morality, a new order.

Thus, two social and moral forces collide in tragedy: the spirit of feudal cruelty and revenge and the principles of love, harmony of the coming Renaissance. But above all, "Romeo and Juliet" is the most prominent anthem of love. A young man and a girl from warring homelands fell in love with one another. Their love is not only a passionate feeling that does not recognize any obstacles, but also a feeling that endlessly enriches the soul. Shakespeare very poetically shows the birth and development of this lofty feeling. Here Romeo sees Juliet at the ball, and her beauty struck the young men:

* Her radiance of the torch was eclipsed.
* She is like bright beryl
* In the ears of arapki ...
* Have I loved at least once by now?
* No! they were false goddesses,
* I did not know the true beauty until now!

The night scene in the garden, when Juliet, sitting near the window, sees Romeo, and he, standing below, hears her confession, and their next conversation, during which they explained, is hard to find episodes in world literature that equal this for the power of revealing feelings. Love makes heroes. Once upon a time, the former Romeo would not have excused rudeness to the pompous Tybalt. Loving Romeo becomes patient. Love makes him sane and wise in his own way. Only when Tybalt pounces on the good-natured Mercutio, Romeo takes up arms. Juliet is childlike and frank. Her feelings are still dormant. Having fallen in love with Romeo, she begins to know a lot about human relationships - better than her parents, who want to see the noble Paris as Juliet's fiancé. After all, for some time she was ready to look at Paris. And, perhaps, if there had not been a meeting from Romeo at the ball, another marriage would have taken place, quite happy. But Juliet admits it is better to die than to marry the unloved. The girl is the first to start a conversation about marriage, in her words addressed to the chosen one, one feels spiritual maturity and dignity loving woman. The fact that Juliet is only thirteen years old proves once again that great feelings are available even to young souls. “All ages are submissive to love,” a brilliant Russian poet would later say about this. Devotion to a loved one, faith in Romeo, determination, proud awareness of one's own rightness - all this makes her the brightest symbol of the most beautiful human feeling. Heroes fight for the right of free choice in love, but they are surrounded by blind and hateful enmity. The girl dies as soon as she has experienced the happiness of love, which she dreamed about and cherished in her heart. Without Romeo, life loses its meaning, because it is impossible to love twice...

Romeo and Juliet's love - irresistible, pure and heroic - lasts only a few days and opposes the old attitudes and attitudes of medieval rigor, under which the Capulets and Montagues are ruled. This is a real fight for free life and human rights. The tragic death of children eventually reconciled the warring families, but at what cost! With their death, lovers seem to buy the victory of a new life principle - the principle of peace, friendship, love. The grief of loss makes the Montagues and Capulets realize that they have destroyed their own future with a senseless enmity. So it was, and so it will always be, as long as man is alive.

    A hymn of triumphant love. Love conquering death. Tragedy of great passion. Only such definitions are capable of embodying in a brief form the content that Shakespeare put into his tragedy. It is dedicated to the most beautiful and quite earthly feeling,...

    The action of the tragedy takes place in the Renaissance, when people spoke about the beauty of life, about the delights of love through art. The artists in the paintings represented beautiful women, their beauty. Poets in verse spoke about the hardships and joys of life. So...

    Love, Walls don't stop it. In need, she decides to do anything ... Before us is a masterpiece of world literature: the tragedy of William Shakespeare "Romeo and Juliet". Imagination can easily take us to the XIV century, to the Italian city of Verona. On stage, two...

    Love triumphs in the play. Romeo at first only imagines that he loves Rosaline. Her absence from the stage emphasizes the illusion of her existence and infatuation with Romeo. He is sad and seeks solitude. The meeting with Juliet transforms the young man. Now he lives for...